May
20

Paint and Fear

I painted my study green this week. It’s a small room, big enough for my desk, my books, and my pictures, and that is enough for me. I don’t need much. But I do need a place of my own in this space that we’ve bought.

A house. I still look at the stairs, the doors, the carpets, the windows, and it doesn’t sink in.

Ours. Ours? Really? Yes.

It’s in need of painting, all over, but because of a certain logic, I have painted the study first. (The logic is that I have lots of books in boxes, but no shelving on the walls. I could put shelving up, but it makes the most sense to paint the room first and get it how it needs to look, before the shelving goes up. Otherwise … wasted time later on.)

I painted the undercoat. Then the top coat. The paint is two shades of green. One is a darker sage, ‘Crushed Aloe’ to be precise, the other a zesty almost-yellow green. (I would say green while many others might say yellow.)

With each step towards the room’s completion, I feel a little thrill of excitement at the room I know it will be. Everything will have its place, every book will be lined up on the shelves, all of my pictures will hang on the walls, and there will be a newness to it, and then -

What is the study for?

I want to write in this room. But I am afraid, at the same time.

Dear Reader, I have not written a word since last November, when I finished NaNoWriMo. And it shows. Or more honestly, it resonates in me. There is an emptiness sometimes pierced by the burgeoning of a new story that wants writing. But I push the ideas back, make them wait, because I am not ready.

The reality is that I am probably as ready as I will ever be. There is nothing stopping me. I am just afraid.

I have a ring binder, one that will soon have its place on my shelves. It contains all of my past writings from 2010 and 2011, including my first draft of ‘Swordslave’, my NaNo 2011 novel. I wrote a lot of short stories last year. One a week, at one time, and one a month for most of the year. I wrote at least twelve, and I’m proud of those stories. And yet, ask me to tell you how I did it – how I conjured those stories up out of the ground – and I couldn’t say.

Actually, that’s not entirely true. I made myself do it, just as I am making myself do this now. I told myself that I owed January one short story, then February, then March. Month by month I pried my creativity out of its hiding place. After a barren season at the end of 2010, the beginning of 2011 saw me make a determined effort.

And it worked well.

I’ve gone through another barren season. The beginning of 2012 has seen me retreat into myself again. Absenting myself from this blog, from Twitter, from any place where I have to commit to being what I so want to be – a writer.

But now I’m sick of making excuses to myself. Fear may be one thing. And procrastination may be another, and self pity yet another. Above them all, I know from the past that determination and effort and repeated failures count for something. In the end, month after month, I got there. I wrote a short story, even submitted some of them to competitions and other blogs because I was so proud of them.

I should do the same again. Now, while there is time.

I’ve been reading George R R Martin’s A Song of Ice and Fire books again recently. Arya, one of my favourite characters, oft repeats a saying that she learned from her dancing master.

“Fear cuts deeper than swords.”

In my case, fear is the only thing cutting me. Fear is the instrument of failure. And I’m a very fearful person. I’m afraid of failure, afraid of other people, afraid of the past, afraid of not writing.

One by one I need to cut these fears away. And if it takes this blog to do it, then that’s what I’ll do. Until I produce something beautiful, I will at least produce something truthful, an account of myself that makes sense, that helps me realise what I need to do to get to where I need to be.

I know that today, now, there’s a story in me waiting to be told. If I have to pull teeth to get at it, then that’s what I’ll do.

Jan
15

Inserting plug into socket – KAPOW!

Do you enjoy reading poetry and short stories? Do you like discovering new writers? Do you blog your writing and seek out ways to gain more exposure? Well, read on …

A quick, shiny plug in the form of a brand new writing initiative by @sweepyjean on Twitter – THIRD SUNDAY BLOG CARNIVAL is a fabulous new blog devoted to collecting the best of new fiction from blogs around the web and bringing it all together in one place, once a month. For the opening edition Ms. Sweepy has collected 62 LINKS in poetry and fiction for your enjoyment, along with each author’s description of each piece and a short-and-sweet review.

My own short story ‘First Snow’ is among the links in the Fiction category. I’m pleased and honoured to have been selected for a mention in the first edition and I’m sure I’ll be submitting more writing to the Carnival in future.

In other news, I’ve begun the read-through of my NaNoWriMo novel Swordslave (working title), which marks the start of the long and winding road known as ‘editing’! I’ll be posting updates on my progress on here and hopefully will come up with some thought-provoking and insightful remarks to make on the whole process. You never know. ;)

Happy Sunday, everyone!

Jan
09

A Day Full of Firsts

Today has been a busy, intense and highly interesting day in the life of Rosanna. Many things happened, but most of them will probably seem terribly dull unless you’re in a similar life position to me right now – thinking about buying your first house, so looking into things like joint accounts and joint mortgages and so on.

Like I said: terribly dull, but wow, the sheer amount of stuff I didn’t know about before today! Honestly! I am trying to execute a rapid turnaround in my knowledge of the housing market.

But ANYWAY, onto the interesting and exciting stuff: TODAY, I became a published writer. Five Stop Story awarded my short story ‘The Last Day’ with an honorary mention in their October Halloween/Escape themed competition. It’s a story about mutants and fear and bravery, and is now available to read from their website (and also available to ‘like’, hint hint!) in addition to the other winners, runners up and honorary mentions.

In case one link wasn’t enough, you can read it in full here!*

How exciting.**

The story will also become available for download very soon on Five Stop Story’s exciting app for iPhone and iPad. In 2011 Five Stop Story built up a fantastic portfolio showcasing new authors’ work on their website, and look set to grow even more this year with new cash prizes for their competitions, an author league table, and the Christmas-timed release of an anthology on Kindle.

I was very lucky and received a Kindle for Christmas from my parents. <3 I have to say, while I’m not that well informed on general opinion on trends in e-publishing, opening up new avenues of exposure for new writers through the latest technology can only be a good thing, right?

* Apologies for the amount of links and double-links in this post. I’m just very excited.

**See what I mean?

Dec
13

A Short Story for a Winter’s Day – First Snow

Sunlight on Snow

Sunlight on Snow

It’s most definitely winter, and the shortest day of the year is in just over a week — how crazy is that! I can’t believe how quickly this year’s gone. I am just re-reading my new year’s resolutions post which is back on my old writing blog and as usual, I started out with good intentions and … well, you know, didn’t quite live up to them. One year I’ll learn not to make resolutions so much as friendly, slightly-flexible goals.

A quick review: I did give up smoking after a few tries. I did write a short story a month up until August — outdoing myself by writing four in July alone — but since then I’ve slipped up. I think winning NaNoWriMo goes a long way to making up for this, but I will still be renewing that particular goal come January. I’ve realised that when it comes to my writing, setting goals really is the way forward. My third resolution was to write down every book I read. I have been shockingly lax at this, so it’s another one up for renewal.

Anyway, it’s still a bit early to be talking about resolutions! Instead, here’s an early Christmas present from me. I wrote this short story nearly two years ago now (and it was the first story I ever posted on Drifting Astray) and the picture at the top of the page was taken at around the same time. I hope you enjoy it. :)

So, without further ado, I give you …

First Snow

The snow falls every year, here in the north. Winter comes with a sombre promise to take and give nothing back. But we are stubborn people. We hold on to our homes, even when it costs us dear.

South of us the valleys stretch out, welcoming warmth, sheltering it in a cradle of trees and soft grasses. But we have the mountains and the spaces in between, the small cracks where we find what warmth we can.

In the summer the frozen rivers melt and flow again in the deep ravines. The water filters through the rocks until it’s pure and sparkling – the best water you ever tasted. It nourishes the roots of the trees, and the deer drink from the streams. We kill the deer, and the snow hares, and the mountain lions. We eat them and we take their pelts for warmth.

We survive in our mountain home.

Lydia watches for the first snow every year. She’s sun-haired, like me, and sun-eyed. Seven years old, a summer girl, who delights in the feel of sunlight on her skin. But like her brother before her she knows the time when the season will change, and she waits for the coming of winter.

I too can feel the change in the air, when it turns. I smell it in the air’s new sharpness, and I hear it in the fickle voice of the wind as it calls along the ridge. We hold on against the approach of winter, digging our fingers into the cracks in our ravines between the mountains.

In the morning, Lydia bursts through the door with the news. “Ma, it’s today! The first snow’s fallen!” Normally the first snow is fleeting, and the sky is light and pale in its wake. It doesn’t seem so long ago that I too found it beautiful, the way the sky mirrored the earth below, making the world completely white.

Lydia runs to me and presses her cold hands against my cheeks, laughing. I ruffle her hair and kiss her forehead. My summer girl. She has powdery snow melting in her hair and on her shoulders. She giggles as I brush her down.

“Have you been in a snowball fight already?”

“Hannah and Marta ambushed me as I was coming past the log pile. But then Benjamin helped me. He got snow all down their backs.”

“Go and round them up then. When the snow stops you must go and build the snowmen on the ridge. And don’t forget your gloves!”

Lydia flings the door wide and runs into the winter air. In doing so she lets it into the house and I shiver against the cold. On days like this the chill in my bones wakes up biting. I’ll sleep poorly and my joints will creak for the rest of the winter. It’s been that way for three years.

My balance is getting better now. I have a stick but I keep it mostly for comfort, these days; I don’t need it to get up and add another log to the fire. The wood pile is neatly stacked on the left.

I like the snap of firewood when it burns. Fire is our ally against the cold, so I will not begrudge it a burn or two when I’m stupid enough to put my hand in the flame by mistake. I sit here and keep the fire high, and in the afternoon I hear my husband’s voice outside. There’s a cold blast of air as the door opens.

“Close the door,” I say. “Keep the warmth inside.”

“I’m going up to the ridge,” Alun says. “I just wanted to tell you. The snow’s stopped. Lydia and the other children are going up to build the snowmen.”

“It’s stopped already?”

“Yes, but it’s deep.”

“Let’s go then.”

“Are you sure you want to come?”

“Yes, of course. Get me my furs, will you?”

I hear Alun hurrying, gathering the things that we will need, and then I hear the wind outside. It howls around the house, trying to get in.

I hear the whisper of its voice at the door, and it calls to my blood. I see a figure in my mind’s eye, tall and lanky with youth, dark haired and wrapped up in furs. Aryn, my winter boy, with a young boy’s smile and eyes as old and knowing as the mountains.

“Hurry,” I whisper. Alun takes my arm and leads me outside, where the wind blows right through me. Alun has cleared a path through the snow going up to the door. I plant my feet firmly on the freezing, slushy ground and begin to walk.

Alun takes me to the edge of the village, where the snow lies ankle deep. We follow the scattered tracks of the other villagers to the top of the ridge, where the first snow always falls deepest. The kiss of a snowflake on my cheek is cruel and cold. My knees buckle.

“Katya, do you want to go back?” Alun’s voice is gentle, close to my ear.

“No. I have to be there.”

We go on.

At the top of the ridge Alun and I stand close to the others. For years we have been gathering here to see the first snow – the snow that rides ahead of the true winter storms, the snow that settles but never stays beyond a few days. The children build their snowmen here each year. The snowmen tell us what they will bring, whether they will be cruel or merciful. Last year, they stayed for a day and a night. That winter was kinder than the others before it.

I hear the summer voices of the girls and the loud hoots of the boys, singing, shrieking as they throw snowballs back and forth. The adults, with proper solemnity, shush them and wait for them to begin. I must be here, even though I no longer find any joy in the game and ritual of it. I imagine the snowmen with twisted, grimacing white faces. I will show those demons of the winter that they cannot frighten me.

But the wind sings in my ears, promising ruin.

This year, it whispers. This year … this year.

While the children build the snowmen, some of the villagers sing, some of us are quiet. Afterwards, most of us leave the ridge in small groups and return to our homes, but some linger until it gets dark, offering prayers to the mountain.

As we walk back to the village, Lydia holds my hand and tells me about her snowman. He is tall and big, and his name is Elmun. I murmur appreciatively to make her happy, because she still trusts in the snowmen as our protectors and helpers.

Alun is at my side with his arm around me. I realise I am crying.

Our house is cold and there’s a draught coming in somewhere. I go carefully to the fire and move to the left, feeling for a couple of thick logs. It needs to be kept high as the night draws closer.

“Ma, let me do that,” Lydia says. I feel her small hands on top of mine as she tries to take the log from me.

“No, it’s fine.” I gently push her away. “I want to do it.”

Lydia is young and good and likes to be helpful. I hear her sigh as she steps back. She’s wondering why I don’t just sit by the fire and relax. But keeping the fire high is my job. It’s all I can do against the cold.

Alun sometimes tells me that I spend too much time blaming myself for what happened, and even more time trying to make up for it. Perhaps he’s right. But on some days, when the wind howls around my house, I wonder if it would have been different, if the snow hadn’t taken my sight so quickly. Would I have found him, my Aryn, my winter boy?

Three years ago Aryn was fourteen and growing up fast, but he was determined to join in with the children one more time. He named his snowman Ivan. Ivan outlasted all the others and still stood tall on the fifth day. Nobody else minded, because Ivan was bigger and thicker-built, and the six others had already melted.

After five days, Lydia’s snowman still stands and I understand: winter has touched her summer-born heart. I know the wind is laughing at me as it hisses past my ears.

This year, it sings. This year … this year.

On the fifth night I lie in my bed. The house is warm and I cannot hear the wind. I feel safe. I reach for Alun and kiss him and press myself against him. I feel him go still as he realises. It’s been so long, but we haven’t forgotten. It comes back to us, our dance. We are still in tune, after all this time. It makes me weep.

I wake up early, before sunrise. Alun’s still snoring next to me and I’m careful not to disturb him as I get up and feel around for my clothes and my furs.

In the main room, last night’s fire is still giving out some warmth. I find my stick, propped up next to the hearth, and then a skin of water. The wind outside is cold, but I set myself against it and trudge through the snow that has come up to our door again. This will be the last time.

I have a good sense of direction and my feet have rehearsed the village paths. I find my way up to the ridge, where I feel the first small protests from my joints as the chill begins. The furs are still doing their job, but my bones remember. I walk carefully along the top, feeling my way with my hands outstretched, until I touch the cold, wet skin of a snowman. Even though the melting has begun, he still stands. Elmun, Lydia’s snowman. Alone on the sixth day.

This year, sings the wind. This year … this year.

I swing my fists through the air but I overreach myself and stumble, falling to my knees. With a groan I get to my feet again. I reach out, searching with my hands for Elmun. I knock him down.

“You can’t have her,” I pant. “Not Lydia. She doesn’t belong to you!”

Suddenly I feel foolish. What good is it to scream and rage against the greed of winter? What can be done? If it reached down the mountain it could smother us. Our ravines would fill with ice, our deer would run south towards safety. Even the mountain lions would abandon this forsaken place.

Our fragile mountain home would disappear.

The wind promises ruin. It howls with a hunger that must be placated.

And I know what I must do. I leave the ridge, and the village, behind.

Beyond the ridge the land dips down into a small wood of fir trees that gather around the mountain’s feet. I remember coming this way last time. Aryn had gone looking for game and he’d been gone too long, so I went after him. I took enough food and water for two people to last three days on the mountain. I wrapped myself from head to toe in furs, more than I really needed. They would keep Aryn warm, once I found him.

I’m sure the trees remember my passage. The wind sighs through them, but they have kinder voices.

Up on the mountain past the wood, the snow is still falling, powdery beneath my feet. It hasn’t had enough time to really set in yet. I remember the way the sun shone off it before, like blue skies. I was thinking about my winter boy, but the beauty of the sun on the snow filled my heart with hope.

Beauty in this land is treacherous. After two days had passed he was still lost on the mountain, and still I searched. The relentless glare of the sunlight on the snow was hurting my eyes.

Another day passed, and another. I didn’t want to eat the food that I’d saved for Aryn, but I would need it if I was to keep searching. By then my eyes were sore and weeping and my vision was growing darker. I thought the clouds must be closing in, because it was too early for night to be falling. My strength was leaving me as my joints slowly seized up. I remember urging my feet to go on, but I must have tripped over a stone. I fell, and couldn’t get up.

I lay in the snow, calling for Aryn. Then I croaked his name, until my throat was raw and freezing. I drifted on the snow, on the wind, hearing voices calling across the mountain. The world went dark.

Alun found me and carried me off the mountain. Nobody found Aryn.

People in the village talked of what might have happened to him. A mountain lion had overcome him, perhaps, or he’d run out of food, or he’d fallen into a crevasse. It didn’t matter. The wind, the winter, had taken him. If I’d known what it wanted, I would have gone in his place.

I’m slower than before. I have to be more careful not to slip and my joints are unwilling. I can feel them growing stiff and numb, but I have to keep walking. Alun might already be looking for me. I have to go further so he won’t find me. The winter is hungry for a summer child, but I will go in her place.

I walk all day, up and up. When it feels like the night has set in I sit down in the snow. My furs are wet and the cold has started to seep through them, so I take them off. They’re no use to me anymore. I start to shiver.

The wind is still singing, but now it sings to me. Sings peace.

After my short rest I get to my feet for one last push. My legs and arms are unbearably heavy, but I don’t mind. I’ll make it to the top. It’s getting brighter, and I think I can hear his voice calling on the wind, my winter boy, my Aryn.

This year, sings the wind. This year … this year.

————————————————————————-

© Rosanna Silverlight 2010

Nov
29

Five Spoiler-Free Reasons To Read ‘The Scorpio Races’

Oh, and I kinda finished NaNoWriMo

On Sunday night, in the heading-towards-late hours, I finished my NaNoWriMo manuscript with three days to go and 57,000 words on the clock. It was a proud moment, because although it’s actually the second time I’ve completed (i.e. won) NaNoWriMo, it’s the first time I’ve done it and felt like I’ve written something that has the makings of a novel.

This is pretty big for me.

I’m not going to talk about that right now though, partly because of the natural comedown from such an epic, crazy writing trip. Oh, I will post about it in some detail — in a few days’ time, when I’m neither here nor there. Here being two days after finishing NaNoWriMo, before November’s even out, feeling like my fingers don’t know what to do with themselves — and there looking back over my shoulder at Sunday evening, when I was galloping through 7,000 words in the whirlwind rush of writing the final scenes.

The other reason is that I’d much rather use this time to talk about a book I finished last week, The Scorpio Races by Maggie Stiefvater. I am going to give you five reasons why you should read this book.

1. Water horses.

Cappaill uisce (pronounced COPple OOshka). Magical, man-killing water horses, harnessed by the men of Thisby every year to ride in the Scorpio Races. They’re one of the lesser-seen monsters of legend in modern fiction, and are beautifully rendered here by Stiefvater’s powerful imagination. According to her blog (also recommended reading), she’s been trying to write a novel about water horses for almost as long as she’s been a writer. I’m so, so glad she persevered and created The Scorpio Races.

2. Beautifully-crafted prose.

“Corr, red as the sunset, looks out to the ocean. The shore faces east and so he looks out to night, deep blue and then black, the sky and water mirror images. Our shadows fall into the ocean, too, changing colours with the breakers and foam beneath them.”

I’ve read five of her other novels (the Shiver trilogy, Lament and Ballad) and as well as getting better and better with each book, Stiefvater just has a style that warms you and, I think, challenges you too. She uses language in a way that draws out a genuine emotional response from her writing.  Her prose is lyrical and poetic, and every word is meant. Her writing is the good stuff, the vintage kind that you take in small sips. Never to be rushed through.

3. Puck Connolly and Sean Kendrick.

I’m finding it really hard to pinpoint exactly what I love about the characterisation in this book, because as well as Puck and Sean there are many other unforgettable characters populating the pages. But I think it comes down to this: reading this book feels like getting to know two people completely naturally, the way you’d get to know new friends. Not everything about them comes to you at once — it comes in its own time. It’s characterisation you don’t even notice because it feels so real.

4. Palsson’s Bakery.

You will know what I mean when you get to it, and long before that, too, with the first mention of cinnamon twists and November Cakes.

5. Thisby.

Thisby is the fictional island, somewhere off the British Isles, where The Scorpio Races takes place, but it’s the kind of setting — like Ingary in Howl’s Moving Castle, like Serenity in Firefly – that has its own personality. And it’s not an arbitrary setting at all — it’s absolutely integral to the story, a main character in itself. And the fact that it’s somewhere off the British Isles is fascinating and wonderful. It makes me kind of gleeful to see this version of the UK, because … well, it’s authentic and resonant and, like everything else in the book, wonderfully done.

I know I’ll read The Scorpio Races again, and again. It’s a book to be adored, and I absolutely loved it.

Nov
23

NaNoWriMo Progress: Entering Week Four

Today, my NaNoWriMo manuscript hit 45,096 words.

The part where I squee and look misty-eyed, which can be read aloud in a movie-trailer-style/portentous voice:

NaNoWriMo still has a week to run, but since the last three weeks have been something of a revelation to me, I wanted to put down some of my thoughts before they run away. At the moment I’ve had the urge to write everything down, every little thought that goes on in my brain. I’ve had so many, and they’ve been so varied. Whether I’m at work, my other work, at home or — well, anywhere, I can’t seem to stop being in the writing zone at the moment. It’s like being plugged into the mains, like being connected with a super-charged reality where thoughts come alive and take shape.

I guess you could say that in athletic terms, my brain is running a marathon. There was the opening sprint. “Yeah, I can do this!” I thought. I sprinted too fast though, and so after a while I started to slow down. I even stopped running at times and walked, or dawdled. Then I passed a marker along my marathon route. “Congratulations! You’re halfway there!” it said. And that was some serious motivation, let me tell you.

I started running again, slowly at first but gathering in speed. I passed further milestones. Two thirds of the way. Three quarters. And now I’m running at a steady pace, and sometimes — when I feel really good — I’m even sprinting a little.

It is a euphoric feeling. I guess what it comes down to is that I’m drunk on writing. I am enjoying this so damn much. I feel my story coming to life in my head. My characters coming to life. My plot starting to soar on its own wings, instead of the ugly mechanical ones that I had to build for it to get off the ground.

And if my story is a bird (having gone from being a marathon to being six shots of tequila to achieve this state) then I know that when it lands it’ll still be pretty ugly. But that’s okay. I can work on making it prettier later on.

You know what the best part is? The best part is that I know I’m going to succeed this time. I will finish with a first draft for the novel that has been living in my head for the last several years. It’s gradually been revealing itself to me over the last three weeks that this novel has been in the works for much longer than I realised. I recognise characters, places and plot elements from other novels I started and then gave up on halfway, when it got too tough or the plot got too convoluted.

At the beginning of NaNoWriMo I posted the first chapter of my source material up here — the source material being the unfinished draft of a novel I started back in spring 2010. What’s happened is magical. That novel now has a second life. It exists within the manuscript I’m now working on. It works better, feels better in this form.

The part where I calm down and look around the room in embarrassment: “Did I just say that out loud?” I wonder.

Well, that’s enough of the serious, earnest, metaphor-ridden blah about how great this all feels. Hell, I’m going to say it a little more: it does feel great. I feel giddy and excited, like it’s the night before Christmas.

I just really, really love what I’m doing right now.

Okay! That definitely is enough. I just re-read this and it is the cheesiest most self-indulgent blog entry ever, so I’d better post it before I chicken out. I just wanted to share with y’all how enjoyable this has been so far. :) I’ll save the thanks and acknowledgements for a separate post — because there will be many of them. (And, um, I’m not *actually* at 50,000 words yet … still a few more sprints to go until I cross the finish line!)

Nov
06

NaNo Week One Review: Making Habits

Because it’s Sunday at the end of Week One of NaNoWriMo, I think I’ll share a few of the habits I’ve been developing over the last week. I know, it’s still early days yet, but the habits have set in early – and all the better, frankly, because I can’t have unpredictable writing habits playing havoc when my actual writing itself starts to play up and misbehave in Week Two.

1.      The Little Black Book of Numbers

The Little Black Book

No, not really. ;)

It is a Little Black Book though, and it sits in my pocket while I’m at work. Given the methodical nature of a lot of my day-job work, I tend to wander off in thought, and sometimes I get ideas for my story. I could then go for hours without having an opportunity to write that idea down, which would be absolutely maddening.

So, this notebook serves to counter that little problem, leading to better peace of mind and a more productive Rosie.

2.      The Noveling Nest

The Nest

(Click to embiggen)

Whilst I’m actually not that fond of the term ‘noveling nest’ (as coined in No Plot? No Problem! by Chris Baty, founder of NaNoWriMo) – it just sounds a bit … twee, to me – there’s no denying that I feel like my writing area is a nest. Appearances are deceiving in this case: I mean look, it’s a desk for crying out loud. Hard surface, sharp corners. A desk lamp, a printer.

But I love my desk, and it’s usually tidily covered in things I like, which is kind of like having a silent tableau of cheerleaders in all shapes and sizes egging you on. And I have pictures up above it, and a blank wall in front of me where I stick my notes.

I really don’t want to come across as pretentious here but this was my actual thought when I sat down at my desk for the first time (after finding it for £50 in an Ikea bargain corner) – I am going to write my first novel at this desk.

And I firmly believe that.

3.      The Wall o’ NotesThe Wall o' Notes

Probably my favourite habit so far is having this in front of me while I write, and adding to it when I have a ‘eureka’ moment. It’s funny, the time and places where you get those moments – this morning, for instance, as I was cleaning the bathroom, I had the thought process which led to those three multi-coloured notelets in the middle of the wall (with the colour key below – PLOT in green, THEME/CHARACTERISATION in purple and BACKGROUND/SETTING in fuchsia, not that I’m a control freak or anything …).

4.      Word Races

Thus far I have done two of these successfully and I hope to do a few more. They take place on Twitter. They are a friendly sport, an informal affair – but there is a great, fun element of competition inherent in them.

They may be slightly controversial for writers who dislike the idea of knowingly writing ‘crap’, but personally, for me, they work. I can get incredibly bogged down by the Inner Editor, when she gets off her leash. I can stop writing and grind to a halt.

Word races are great for literally forcing yourself out of those corners and beating writer’s block; they shoot you off down the highway like you’re competing for the record in the land speed test for writing, and they do occasionally throw up the odd useful curveball to the plot, which I wouldn’t have otherwise come up with (stifled by the Inner Editor, and all that).

When the time’s up and I’m ready to come back to Twitter for a break, I slow down, take stock, and smile because I’ve just written 1,000 words in half an hour.

Which brings me onto my next point …

5.      The Rule I am NOT Following

There is much kerfuffle over the Inner Editor at this time of year. The rule that you absolutely should send yours for a month-long holiday – in other words, tell it to get the hell outta town.

No Plot? No Problem! suggests sending yours to the kennels for a nice, long stay. I tried, I really did, but I’m weak and just don’t have the willpower. I put her on the naughty step instead, or on a very strong leash. Occasionally she gets free, but that’s okay, especially after a long bout of word racing or just typing the first thing that comes into my head.

I don’t edit a lot, but I do edit a little. At a minimum, this amounts to reading through the passage I’ve just written and making mental notes of what will need changing later on during the rewrite. At a maximum, I rewrite a couple of sentences or flip some words around, especially where it’s painfully obvious to me that I’ve repeated one word a million times.

It’s not going to hinder my progress to do such a small amount of backtracking. I do make sure I hit the word count each day, and if I lose any words, I stay on track by replacing them with an extra sentence or two at the end.

6.      Adventure, Not Politics

This is probably a mantra, not a habit. This is my promise to myself as I write my novel this year.

I’m writing a fantasy novel, and if you’ve read a lot of fantasy novels you’ll know that a great deal of them have some form of politics interwoven through the plot. Guy Gavriel Kay does it masterfully in Sailing to Sarantium and Under Heaven – indeed, his novels make politics sexy – and Joe Abercrombie does it with panache and style in his First Law trilogy.

Politics and fantasy novels are always going to go together well, because having a strong setting with an intricate plot is one hallmark of the fantasy genre, and so is having a plot which involves epic-scale betrayals, battles, magic and intrigue, the stuff of legends.

So I started my fantasy novel and quickly ended up knee-deep in politics, which made me panic a little. I got to this destination, probably, by not having a clearly mapped-out political system in my head before I began. So inevitably, when I started writing my novel, I got to a bit where I had to throw in some detail about setting – and BAM, in marched the highly charged political conversations.

Except they sounded wooden and false to me, not fun enough for the story I want to tell.

That’s when I created my mantra, wrote it on a piece of paper and stuck it above my desk on the Wall o’ Notes. I had inspiration on my side.

One of my absolute favourite authors is Kristin Cashore, author of the already published Graceling and Fire, and Bitterblue, which is out next May. What I really love about her writing is that her setting is so strong and unique, vibrant and alive and adventurous – without being all about some big important political struggle. Sure, there are politics in there, particularly in Fire. But her stories are built around characters and relationships, and they are what make the setting – and the epic stories told within them – absolutely great.

The characters in Fire are working to rebuild a country torn apart by a weak, dangerous king and his amoral, psychotic advisor, but Cashore has worked hard to make you realise that the main characters and themes are not just sub-plots to this story arc: they are its backbone.

Anyway, I hope somewhere in there I’ve got my point across.

Adventure, not politics.

7.      The Backup Noveling Nest

The Backup

Because sometimes I do need a cosy sofa to sit and write on, and it’s more sociable that way, although I am liable to get distracted (as happened last night) by Wereboy playing Deus Ex: Human Revolution (it’s absolutely gripping!).

The dino rug and pillow are the sole property of the Wereboy, because he likes dinosaurs. And yes, I did tidy the sofa before taking a picture of it. Because I’m obsessive like that.

* * *

Well, those are my NaNo habits so far. I’ll no doubt accumulate more as the month goes on and I slowly become more and more neurotic.

I suppose I should really get back to writing the novel now!

Nov
01

NaNoWriMo – the first day

It was frightening and horrible, to start with.

I woke, at around 2.50am, to a very, VERY loud noise right outside my bedroom. I went from fast asleep to wide awake in about two seconds flat, so my heart was going triple time and I felt wildly, irrationally afraid.

I was also alone in bed, as Wereboy was still up (yes, at 2.45am!) playing FIFA online (lucky him, he had the day off!).

After a few more seconds I realised that it was the fire alarm. My next thought was something along the lines of Oh dear GOD, the neighbours are going to kill us!

We live in an apartment building (i.e. on top of each other), so an extremely loud fire alarm at three in the morning isn’t exactly great news.

I then reached for the nearest available flat object, which happened to be Pawn of Prophecy by David Eddings (first book in the Belgariad quintology – is that even a word? If not, could someone please educate me on the correct noun in this case!). I hauled on my dressing gown, leaped out of bed and started trying to fan the fire alarm, thinking something was burning. (In hindsight, not exactly a rational course of action either …)

Wereboy then made his appearance, which is all a bit of a blur as I was still rather panicked. Once we’d established that a) nothing was burning in our apartment, b) the alarm wasn’t switching off any time soon and c) it wasn’t just us, it was every apartment in the whole bloody building, I went and did the natural thing: put the kettle on for a cup of tea. If I was awake at that time then dammit, I might as well be caffeinated too!

Tea in hand, alarm going nowhere, I sat on the sofa feeling traumatised. Wereboy went out to check what was happening. He returned with the dire news that somebody was apparently going to have to come all the way over from Bristol to switch off the alarm, which would take at least an hour.

An hour! I was supposed to be waking up at the crack of dawn anyway to get ready for work, so I really wanted more sleep. But since this was no longer an option, I thought about what else I could do. Somewhere along the line I realised that it was 3am on Tuesday November 1st, the first day of NaNoWriMo. I might as well get started with that.

Sendell (my laptop) was duly fetched, MS Word duly fired up, and I was ready to begin.

My first sentence was pretty easy to write, I won’t lie. It went like this:

“It started in the middle of the night, with the sounding of a distant bell.”

I hope it’ll serve as a reminder to me throughout this NaNoWriMo: even in the most unlikely of circumstances, you can always write something.

676 words later, the alarm stopped. I went back to bed, and all was well …

Until 4.55am, when I had to get up to get ready for work. *headdesk*

So, an eventful start to the day, which led on to an eventful afternoon! After work, I sat down at my desk and opened up Twitter. This led on to the most fantastic conversation with some of my Twitter #NaNoWriMo/#amwriting buddies – and proves another point, which is that writing is even more fun when you can talk about it with friends who are in the thick of it with you!

@squeakattack and I also challenged each other to close Twitter and the internet for an hour and write as much in that time as we could, then come back to compare notes at the end. This provided the perfect excuse for a bucket of tea and a catch-up chat, i.e. the perfect writing reward.

Overall I’ve had the most delightful start to NaNoWriMo 2011, and I don’t even begrudge the fire alarm its hour of glory anymore. Whatever gets me writing is good in my book.

If you’re taking part this year, what was your first day like?

Oct
30

NaNoWriMo 2011 + the Forgotten Prologue

Hello everyone! I’m alive and I haven’t fallen into a cave and died somewhere! Honest.

I definitely did fall of the face of the internet for a while though, and it’s time to make amends. So here is the first blog post of a “re-entry to the cyberworld” theme which will be taking place on the Wordmine.

Especially with November just around the corner … and November means NaNoWriMo! If you haven’t heard of it before, I strongly encourage you to go and visit the website and consider the idea of thousands of people all over the world committing to write a 50,000 word novel during the month of November. It’s literary madness and genius all in one.

So, I am taking part. I hereby state my aim and declare my intention to enter National Novel Writing Month on Tuesday November 1st, and come up with 50,000 words of my very own in the form of a novel draft by the time November ends. If I don’t, then I won’t go as far as shunning my soul into the eternal void of failed writers, but at the very least, you (whoever’s reading this) can mock me all you want.

Fair deal? I think so.

Now, WHAT on earth am I going to write during this seat-of-my-pants, hell-for-leather word-slapping-down marathon? Weeell, it all started about a year and a half ago when I had a brilliant idea for an opening scene in a novel and then failed to deliver, i.e. write the damn thing. I wrote several thousand words and then … stopped. For whatever reasons, the novel just didn’t materialise. Perhaps I started in the wrong place. Perhaps I didn’t have a clear direction or ending in mind. It doesn’t matter now; that is all done with. I know it didn’t work, and I am going to try and fix it this November, during NaNoWriMo.

I plan to take that ‘brilliant opening’ and strip it down, remove most of it and find the seed at the centre of it. Then I am going to plant it in November’s creative soil and watch it grow into a straggly, leggy, enthusiastically tall and awkward shrub of a novel which most probably will be the ugliest, silliest piece of literature you’d never think about actually reading.

After that, I am going to hack it to pieces again and re-write it, most likely.

That seed exists somewhere in this opening scene which I am wheeling out below for your reading pleasure (think of the strange and exotic sideshows of Victorian times, where anything weird and mutated made for an excellent afternoon’s entertainment). What comes of it will be … interesting. Just to make it clear: I am NOT using what’s already written here. This is the messy morass which contains the seed. This is one exhibit in the museum of Rosanna’s stunted, never-had-a-chance literary creations. (And there are plenty more where that one came from.)

Stay tuned for a month of madness! And enjoy the (side)show!

* * *

Untitled, by Rosanna Silverlight

Seventh Day After Departure, Third Night on the Mountains

I was asleep, snatching at dreams and searching for the dark-haired boy who had whispered my name as I lingered on the borders of sleep and wakefulness. Then it was all torn away by another voice, one which cut across my dream, pinning itself in the conscious part of my mind.

“If she wakes up screaming one more time,” it said, “I swear I’ll slit her pretty throat.”

Then I was awake, heart beating deafeningly, muscles all bunched up and tense, before I’d even had time to think. Lying there I felt a terrible thing writhing in my gut. It took me a moment to recognise it for what it was: mad panic. Read the rest of this entry »

Jul
29

#FridayFlash – The Mausoleum

Mausoleum

'Mausoleum' by Icy Sedgwick

She stood behind the gates of the mausoleum and waited for midnight, for the coming of her husband. It was June the twenty-third, the anniversary of her death, and she had been dead for seven years.

Albert had come every year. Every month, in the first year. Sometimes lucid, sometimes drunk, sometimes panicky with grief and bewilderment.

He had always brought her something. Flowers, letters, wooden figures. Angels, mostly. He loved to carve shapes and figures, some of them startling, some of them funny – all of them rich in character. When she had been alive he had carved her wooden dogs, and kittens, and once, the figure of a baby.

“It’s a promise,” he said, squeezing her hand. “When I have enough money I will marry you and we will make our own baby … a real, living, breathing one.” Then he had kissed her, and she had nearly been overcome with desire. But giving in to it would have been a sin, and she was determined to remain pure for him.

Standing behind the gates, she smiled at the memories. Thinking of him was a comfort in this dark and lonely place.

Finally, Albert’s work had been recognised, and a young lord, newly wed, had hired him to carve a beautiful wooden bed frame, and several other articles of furniture, for his bride.

She remembered the joy on his face as he’d told her the news – finally he had the money they both needed. They could marry, and have their longed-for child.

In the darkness of the tomb, the pale hair on her baby’s head caught the moonlight that shone through the gaps in the stonework. Her baby was frozen in his newborn state, and seemed to be eternally asleep.

When she had first been interred here, her grieving husband had come and sat for hours at the foot of the gates, talking to her about everything he could think of. She had learned from this that although she had disgraced the family name by marrying a pauper, her father had shown pity at last, allowing her and the babe to be laid to rest in the family mausoleum.

“It is impossible to hate him,” Albert had said, weeping through his words. “He showed me no love, but he loved you to the last. The child, too, although Toby was half of me also, and although he killed you as you birthed him.”

She hugged her baby to her chest and wished, for the thousandth time, that he had been allowed to live and bring his father comfort.

A light flickered through the gaps in the gate, suddenly, and she heard the crunching of leaves, and talking. She looked out, scanning the darkness to see who was coming. It couldn’t be Albert, because Albert came alone on his visits.

“I’ve wanted to show you this for some time, but I haven’t had the courage. I hope you can forgive me.”

Albert’s voice. She felt herself shiver all over, although she had thought that she was already as cold as it was possible to be. The baby in her arms stirred and waved his tiny arms. She cradled him in one arm and gave him her hand to cling to, making shushing noises.

A woman answered him in a gentle voice. “Please, Albert. I’m glad you’ve brought me here.”

She could see him now. He was carrying a large bunch of lilies, but usually he brought freesias, her favourites. Sometimes she imagined she could still smell their peppery scent through the doors of her tomb, and he always put them in water so they would last for a few days or sometimes a week, if she was lucky.

“I’ve been grieving for so long now, Tabby. Every year I’ve come here with her favourite flowers and poems and little things I’ve made for her, as if she were still alive, waiting for me just behind the gates.” He pointed to the cherubs that were arranged around them. The space in her chest where her heart had once beat grew warm.

It was too hard, this being dead, and not being able to go to him in his sadness. To not be able to put warm arms around him, but still to be able to see him and feel pain for him.

“I just want you to be happy again, my love,” she whispered, through the bars of the gate. The baby stirred again and gave a small cry, and she rocked him and soothed him.

Tabby, the woman, was small and pretty, with long dark hair that shone in the moonlight. She looked like a kind soul, and Albert deserved kindness and warmth.

“The flowers are beautiful,” she said. “Why don’t you put them with the carvings?”

Albert nodded. He set them down at the foot of the gate, and although she had never liked the too-sweet, sickly smell of lilies before, now she was sensible of it as something softer and less overwhelming. She put out a hand to touch the stone gate, and Albert, as if sensing her, did the same.

“Goodbye, my dear Alexia,” he murmured, in the intimate voice had used whenever they had been alone together. “You and Toby will always be in my heart.”

He kissed his fingers and touched them to the stone gate of the mausoleum, and then he stepped back. Tabby reached out a tentative hand to touch his shoulder, and he put his arm around her waist. They turned and walked away from the mausoleum together.

In her tomb, Alexia stepped backwards from the gate. Something was happening inside her. The warmth that had flickered in her heart was growing and spreading outwards, enveloping her and flowing through her arms to the baby.

The doors of the mausoleum swung wide, and like rivers of bright moonlight they flew together out into the darkness.

Around the empty tomb, the scent of lilies and freesias lingered.

* * *

Thanks to Icy Sedgwick for taking the beautiful photograph that prompted this piece and sharing it as a story prompt on her blog. I bookmarked it a couple of weeks ago … then, when I was stretching out for an idea to spark a new story, I returned to it. It wove its magic and a story was born!

Thank you, Icy!

More of Icy’s photography can be found on Flickr.

This is also my first ever offering for the online writing community #FridayFlash. I hope to post more stories in future!

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