Mar
25

Happiness

A customer at work asked me, “Are you happy?”

It turned out that although I didn’t know him at all, he’s a regular customer at our store and knew that I’d been working there ever since it opened, three whole years ago.

The question both astonished and touched me. That a stranger would ask me something so fundamental, so observed. There are moments at work when I question whether the customer I’m serving thinks of me as a person, or just the face of the Company. I accept that probably a lot of the time, it’s the latter. I don’t feel bitter about it – most of the time.

But then there are moments when I yearn for an actual connection with the people I work with. The customers. I serve dozens – perhaps sometimes hundreds – of people every day at work. I’m on an open food counter, which means slicing hams, cutting cheeses, dishing out salads and olives, cutting joints of meat and filleting fish. I enjoy it. I talk to lots of customers every day, and most of them are nice, polite people. But I don’t connect with them. Most of them are just faces, and I am another face to them.

So it was extremely wonderful for this kind, intelligent man to stop and ask me whether I was happy. I’ve been thinking about that question ever since. I said to him, “Yes, I’m happy.”

It was an honest answer, and this is why.

I used to fret about working for my Company. I had this idea in my head that I should be doing something else with my life, something related to my degree, perhaps. I worried about getting started on the idea of the Career. I kept myself awake at night worrying, comparing myself to other people – peers, friends, even colleagues who were moving into the managerial side of work at the Company. At least progressing as a manager follows a clear and actual path recognisable as a career.

And then something happened. I began thinking differently. I can’t pinpoint when this happened, although I can say why. My boyfriend is the most wonderful, optimistic person I’ve ever met. I still worry about the future a lot, but I worried MORE before I met him.

I began to be content with where I was. I started thinking about the things I have, the things I do. I stopped stressing about getting onto a career path, and started being thankful that I have a steady job with guaranteed hours and pay, enough that last year my boyfriend and I were able to buy our own house.

"The only one for me is you, and you for me, so happy together"

I also started giving more credence to my dreams and REAL ambitions, not the ambitions I THOUGHT I should have. I kind of had an epiphany one day where I said to myself, “It’s no use trying to decide what I want to do with my life. I already know what I want to do. I’ve always known. I want to write.”

Once I admitted that to myself, I started giving my writing the space and time it deserved. I got serious about writing my novel. I worked on it every day. In six months I finished my draft, and now I’m revising it.

I’m still content.

I suspect that the customer at work was asking me “Are you happy?” in relation to my job, and the fact that I’ve been doing more or less the same thing for three years now. But as I thought about the answer I was going to give him, everything that I’ve done and achieved in those three years flashed through my mind.

I was able to honestly answer him, “Yes, I’m happy.” I meant it.

I told him a very short version of what I’ve just written above. I told him that lots of people who work at the Company have similar stories: they have lives outside of work, creative projects and dreams that they are able to pursue because they have the security and contentment that comes with having a steady day job.

He jokingly asked me, “Are you all intellectuals?”

So I told him about my novel; about the man at work who makes musical instruments; about my friend there who designs, makes and sells her own clothing.

He asked me about my book, recommended that I read The Mists of Avalon by Marion Zimmer-Bradley, and we even had a little side discussion about the publishing world.

It was a connection. It mattered.

I’m not just content to be where I am. I’m happy. No job is perfect, and life is still full of want and striving. But the most important thing I learned over these last three years of having the same, steady job, is that happiness is not a fixed formula based on attaining certain things or gaining a certain status at work. Happiness is recognising the wonderful things that you already have and enjoying them every single day.

Happiness is being with my boyfriend. It’s visiting my parents. It’s talking on the phone with my sister. It’s spending time with friends. It’s writing. It’s connections with people at work. It’s the morning light in our bedroom. It’s tea in the morning. It’s making the most of whatever I’m doing right now.

 

Feb
05

On Finishing And Beginning Anew

I’m just going to come out and say it.

The first* draft of Swordslave is finished.

FINISHED.

FINISHED!

* There’s a story behind this asterisk, and it involves NaNoWriMo and a first first draft, which I completely rewrote. But more on that in another post on another day. ;)

In fact, I finished it just over a week ago now, and I’ve been sitting on the news ever since, chuckling quietly to myself and letting out the odd gleeful cackle. I’ve been enjoying this new state of finishedness, and basking in the feeling of having completed something that I set out to do last year.

Checking the Scrivener file creation date, it looks like I began officially on the 25th July, 2012. The ‘last modified’ date on file is 26th January 2013. Which means I took almost exactly six months to write the first draft from beginning to end.

This new state of finishedness won’t last. Because Swordslave isn’t yet complete – not by a long way.

I am now embarking on the next leg of writing it -

REVISIONS! (Yep, you guessed it!)

It’s February 5th (Wereboy’s birthday! Happy Birthday, my love!) and I’m beginning revisions today. I’m proud of what I’ve written, but I know that Swordslave needs some serious work before it’s anywhere near complete. Writing it the first time around wasn’t at all straightforward, and I have a feeling that revising it will be even more fraught. But I’m excited.

So excited. 

I can’t wait to make my novel into the book I dreamed it would be. I can’t wait to be able to share it with you.

As a small celebration of being finished-but-not-really, I would like to share a couple of things!

First up, the Swordslave Pinterest Board that I mentioned in my previous post. Because every book needs its own Pinterest board, right? ;)

Also – the Swordslave YouTube Playlist, compiled by Yours Truly! I’m kiiiinda reluctant to share this because when it comes to sharing my taste in music, I ALWAYS wonder if the person listening to one of my favourite songs is gonna be scratching their head and thinking really? She likes this kind of music?’

But that kind of thinking is cowardly! This post, out of all the posts on my blog, should be the one where I push myself and start crossing my own fear boundaries! I wrote a novel, people, and my days of being afraid of talking about the things I love are BEHIND me! And that includes my taste in music!

So, here you go. My top six tracks from it, in no particular order, are:

  • Promontory (*sob*) from the Last of the Mohicans OST,
  • The Clansman by Iron Maiden from their Rock in Rio gig (HELLLL YEAAAAAAHHHHHH!),
  • Forever Yours by Nightwish (Myrenne’s theme, TOTALLY),
  • This Will Make You Love Again by (my recently discovered new favourite artist) IAMX,
  • Put Your Arms Around Me by Texas. This is SUCH a beautiful song. Just … gorgeous. <3
  • AND, Santiago by Loreena McKennitt. This is the music I play when thinking about Ember, one of Swordslave’s main settings. :)

I’ll definitely be adding to this playlist as I go through revisions. One thing I discovered, to my eternal joy, when reading through the manuscript the other day was that although it breaks my concentration when I’m writing from scratch, I CAN listen to music while reading and revising! Hooray! :D

Right, time to dive in and BEGIN REVISIONS!


Jan
21

Not Dead Yet; Swordslave Nearly Finished!

So, I did that thing I sometimes do where I drop off the face of the internet for about six months. It’s happened before and may well happen again, and during such absences it can appear as if I’ve dropped everything and run for the broadband-free hills (except I live near some large hills, and can attest that the reach of BT Infinity is long indeed).

I haven’t dropped anything; I didn’t run. I’m still here, not dead – and in fact I was here for all this time, I was just … lurking.

And writing.

... I so wish this was Swordslave's cover.

The last short story I published on this blog was ‘The Sacrifice’, and it turned out to have quite a big impact on the novel I’m writing. So much so that I’m probably going to end up taking it down in about two weeks so, folks, this is basically the last call for you if you’d like to read it! (It can be found at the top of my Short Stories page, if you’re interested.)

Speaking of that novel …

Swordslave is the working title I’ve given it; I haven’t yet decided whether it will stick, or whether I’ll change it to something infinitely cooler. It works pretty well for now, and I think it’s pretty cool as it is. But you never know, something better might pop into my head.

I’ve set myself a deadline of March 9th - my birthday! – to finish the current draft, after which I’ll probably have a break before starting revisions … but it looks like I’m going to hit that target a lot sooner!

After meandering through some up-and-down levels of writerly discipline in the last year, I’ve finally glued my butt to the seat in my office and got serious about finishing the beast. I attempt to work on it EVERY DAY and add at least 500 words, but in the last week alone I’ve added 22,000+ words to the draft and spent hours every day working on it. I have been writing like a maniac. 

So, what is this post about other than reliving the last six months? Well, it’s about discipline for one thing. I am not the most disciplined person in the world ever, but I remember wailing at many times in the past about how I was never going to be a writer, never good enough, never motivated enough, blah blah blah fail fail fail …

Well, guess what: I found out that I am the ONLY one that can do this for myself. The ONLY one who can sit at my desk and write the novel that’s in my heart. The ONLY one who can decide how well I am going to write, how often, and in the end, how successful I will be at fulfilling my dream.

But I didn’t just learn all this overnight.

Along the path I listened to some really inspirational people (and not just other writers), dug up advice on all the writing blogs I could find and picked up some amazing tools (NaNoWriMo in 2011, Rory’s Story Cubes, BICHOK by Susan Dennard being some great examples) that have helped me change both my ability to sit at my desk and physically write, AND the mental attitude I have when I do it.

It’s no longer too hard: it’s a challenge. It’s no longer writer’s block: it’s my position on the scale of how determined I am to transform a blank page into a story.

One of the greatest pieces of advice I’ve heard on writing sums it up. It’s from Laini Taylor, author of the incredible books Daughter of Smoke and Bone and Days of Blood and Starlight, in an article for Publishers Weekly. She writes:

Be an unstoppable force. Write with an imaginary machete strapped to your thigh. This is not wishy-washy, polite, drinking-tea-with-your-pinkie-sticking-out stuff. It’s who you want to be, your most powerful self. Write your books. Finish them, then make them better. Find the way. No one will make this dream come true for you but you.

That’s enough of the power chords and motivational pep talks for now. Here’s some Other Stuff Worth Noting!

1. I’ve joined Pinterest (under the handle PaperBagRosie) and created a goodly number of boards already. One of those is called Swordslave, and as the name suggests, contains a whole bunch of pretty pictures that have inspired me while I’ve been hammering out my draft. Another one is called Writers on Writing, and it’s home to Awesome Writing Advice of Awesomeness – such as Laini Taylor’s – that I’ve scrounged from around the internet and other boards on Pinterest. Go and have a look and if you’re a member already then come and say hi!

2. If you’re a writer and on Twitter and you like the idea of writing as part of a group spread over the corners of the earth, then can I suggest searching for the hashtag ‘#BAMFWordBattle‘? It was started by the awesome Sarah J Maas and Susan Dennard with the idea of writing flat out for 30 minutes and seeing how many words they could each produce. I joined in with a few of their word battles last week and my productivity TRIPLED. Those 22,000+ words? Many of them came from those half hour speed-writing blocks. You’ll be amazed at what you can achieve in 30 minutes. I used #BAMFWordBattle to speed my way past some of the roadblock/hard-to-write events in my draft. They turned out to be not so hard, after all.

That’s pretty much all I wanted to say! I’m off to the gym now to work on one of my other new year’s resolutions (though really, it’s just a way of ensuring that the rewards-in-chocolate I give myself after a bout of writing don’t have a knock-on effect. ;) ) and then later I’ll be writing and probably on Twitter. So … see you around!

Aug
08

Lessons from Cinema: the Power of the Small Things in The Last of the Mohicans

(WARNING: This post contains MAJOR spoilers regarding The Last of the Mohicans.)

The Short and Long of it.

Writers, I am setting you a challenge! And here it is:

Write a piece of Flash Fiction (1,000 words or less) that shows a relationship play out with minimal dialogue. The story can be about anything – but somewhere in it, I want you to write about two characters whose relationship is not conveyed principally through dialogue.

When you’ve finished, I’d love it if you posted a link to it in the comments below!

The Long and Short of it. 

Want to know what inspired this challenge, and read a little movie analysis from The Last of the Mohicans? Read on!

I’m going to talk about the powers of showing versus telling by talking about a film I watched recently. The Last of the Mohicans stars Daniel Day Lewis and Madeline Stowe as the star-crossed lovers Hawkeye and Cora, who fall madly in love seemingly from the moment that they look at the stars together on that first night hiding from the Huron in the forest. Theirs is a beautiful, transcendent love, the kind of love that makes Hollywood millions of dollars every single year …

Hawkeye and Cora: Star-Crossed Lovers with an epic movie score to match.

Oops, too cynical. I mean, they sure are an adorable couple, and I did find their romance as stirring as it was meant to be. And Hawkeye’s promise to Cora, “I will find you,” is undeniably one of the film’s most powerful lines, and probably well quoted, at that.

But I want to focus a little more on the two characters who don’t get any of the beautiful, poetic lines of dialogue or stolen kisses on the eve of battle.

Uncas and Alice are the unsung lovers of The Last of the Mohicans, without actually being lovers. I, for one, don’t like to think of them in that way. I mean, you never actually see them holding a conversation in the film … you never see them kissing – apparently a kissing scene was cut from the film before its release, but I don’t have a problem with it. In fact, I’m glad they left it out.

For me, the relationship between Uncas and Alice is meant to be unspoken, playing out softly and quietly under the soaring, epic sweep of Hawkeye and Cora’s love for each other. Their relationship lives in the looks that we see on Uncas’s face as he watches over his young, innocent charge. Alice’s innocence is somewhat key to the film, as we see the heartbreaking effects that the devastation of war and being forced to run for her life have on her.

My boyfriend and I debated for a long time over the scene in the cave underneath the waterfall. Alice walks to the ledge and stares over it for a few seconds, before Uncas pulls her back, warning her to be careful – and holds her safely in a warm embrace. His face is to the camera, and there’s this stunning intensity in the emotion we see on it as he holds her.

Our debate was over Alice’s intentions in this scene – whether she is considering going over the edge, leaving all the pain behind her and just letting herself fall to her death. My boyfriend thinks yes, this was what she was planning – and I’m still not entirely sure.

But the point here, regardless of Alice’s intentions, is that she does let herself fall, in a way – into the arms of Uncas. And if you look at it that way, then it’s a lovely piece of foreshadowing for later in the film.

It was a really powerful moment in the film for me, and brought a lump to my throat. All through the film, while paying attention to the great romance between Hawkeye and Cora, I watched Alice. I like her as a character, even though she doesn’t say a lot. She’s sweet and painfully innocent – and we don’t have to be told this as viewers. We sense it in the way she looks, in the way she talks, in her halting gestures and early endearing obliviousness to Uncas’s regard.

Their relationship, of course, is doomed, and comes to a heartbreaking point up on the cliffs above the Huron village. This is where the power behind their unspoken, subtle relationship unleashes in a force that takes all the wind out of the Hawkeye/Cora storyline and gives the final ten minutes of the film over, deservingly, to Uncas and Alice.

The chief of the Huron has given Alice to Magua in the hopes that she will heal his dark and damaged heart by becoming his wife. This is never enforced, however, and we as viewers can only wonder and dread what would become of her in Magua’s hands.

Another powerful relationship in the film is also ended in a heartbreaking manner, as Duncan’s unrequited love of Cora leads him to sacrifice himself so that she and Hawkeye can be together. While he takes her place on the pyre that burns him alive, Magua takes the captive Alice on a trek into the mountains, up to a promontory far above the wild landscape of the frontier.

I have to say something here, as well, about the film’s stunning soundtrack. While the Hawkeye/Cora romance is overlaid with the main theme of the film, which feels like being dunked in a bucket of Nutella – sweet and intense but ultimately overpowering – some of the film’s best music plays out in the scenes that don’t focus on the romantic couple. The best example is here, in this scene, where the eight-minute track Promontory leads the film to its incredible crescendo.

There’s relatively little dialogue as Uncas chases Magua and the other Huron up to the cliffs. You can only see the intensity on his face, and the speed with which he runs. As he confronts Magua and fights for Alice, you soon realise that he is outmatched – but he fights on, while Alice watches. You can almost see her heart breaking as Uncas staggers – and then gets up again, unwavering in his determination.

I was already bawling my eyes out by the time Magua lands the killing blow and sends Uncas over the cliff to his death, but the music plays on – and so does the scene – as Magua turns to Alice, who backs away from him, closer to the cliff edge. She turns and looks out – and you realise what she’s going to do. Jodhi May’s acting at this point is stunning, and she manages to convey so much in her expression. Despite the fact that the Uncas/Alice storyline plays out with no real dialogue between them, you know exactly what’s going through her mind as she gazes out over the cliff, her eyes following the path that Uncas took.

Magua extends his hand to her, and again, the expression on his face tells us so much. But Alice turns from him, and follows Uncas over the cliff to her death.

Alice. One look conveys so much ...

Wow. Let’s clear our heads for a moment. I totally relived that scene as I was writing it – and of course I had Promontory playing over the top. Let me wipe away a few tears.

You see, I found that scene – and their relationship – terribly affecting. Days later, I still think about it and choke up. Despite how sad and bittersweet I will find it, I know I’ll watch The Last of the Mohicans again. I don’t think it’s a perfect film – but it is a perfect scene that wraps up the perfect, masterfully understated relationship between Alice and Uncas.

Ultimately, The Last of the Mohicans is a film, and there are certain things that filmmakers can do that authors can’t exactly copy. But I think what can be taken from this film is an assurance that, in writing – yes, show, don’t tell. But also, don’t underestimate how much power can be contained in a small thing – a glance, a gesture, a relationship that works without much dialogue.

Now, go back up to the top of this post and read the challenge, and get writing!

Aug
07

Inkarna by Nerine Dorman: Time-Hopping Immortals Wreak Ancient Egyptian Havoc in Modern-Day Cape Town

Inkarna, Nerine Dorman’s supernatural novel that hops through time and generations of immortals, is a novel of many layers, and I absolutely loved it.

The Inkarna are humans who have learned to cheat death and become immortal through the teachings of Ancient Egyptian lore on life, death, the afterlife and the realm beyond. Elizabeth Rae Perry, our main character, is a member of House Adamastor – one of the more peaceful and secretive sects of Inkarna. We meet her as she prepares to die – for the first time. Lizzie, we find out, is relatively new among her peers, and is about to take her first journey into the afterlife. Her fear of dying is not fear of the unknown – it’s the fear that she, and the other Inkarna before her – were wrong about all this.

We follow Lizzie through her first cycle of death, afterlife and rebirth – experiencing her anxiety and acceptance, and ultimately her shock at being reborn. And it’s here that the novel throws its first curveball – Elizabeth is, against all expectation and protocol, brought back in the body of Ashton Kennedy, a fully grown man and erstwhile ne’er-do-well, and she is immediately faced with several very large problems, number one being the fact that she’s come back as a man, and not a woman. ‘She’ is now ‘he’, at least on the outside.

With one dazzling coup in the bag, Dorman follows up with all the fun that comes with being reincarnated into a different era, changing genders along the way and finding out that the body you’ve inherited was used by its previous occupant to mess up a lot of people’s lives. There are lots of other surprises that stack up nicely, and the whole scenario is immensely fun to read, well paced and extremely well imagined. The descriptions paint vivid pictures of everything – what Elizabeth-now-Ashton is going through, as well as the changed scenery of Cape Town, South Africa, the book’s main setting.

Elizabeth Rae Perry lived in Cape Town through the first half of the twentieth century, passing over to Per Ankh - the Inkarna afterlife – in the mid-sixties. Coming back as Ashton in the twenty first century, she’s shocked by the changes to her city – the rise in vagrancy and dilapidation countered by the beautiful passages that describe rugged mountain passes and the feet of Table Mountain, those monuments that are unchanging even for immortals. As someone who’s never set foot in South Africa, I felt comfortably at home in the novel’s setting, and Dorman’s prose never left me hanging, unable to imagine what I was reading on the page.

Dorman delivers a plot that’s full of action and revelations, and the stakes rise inevitably higher and higher for poor old Lizzie/Ashton. The pace ratchets up to breakneck-speed in the latter third of the novel especially. Nevertheless, there is also time for Lizzie’s reflections on her changed state of life, and her changing state of mind. I won’t ruin any of the book’s wonderful surprises here, but the adeptness with which Dorman deals with gender and identity in the novel, as well as the questions about essentially taking over somebody else’s body – even if that person, the ‘soul’ of the body has already passed over – is truly remarkable.

Inkarna builds to an explosive conclusion that ties events up nicely while leaving room for further books – I’ll be eagerly watching Nerine Dorman’s Twitter page for more updates on Ashton’s exploits.

If you like your paranormal fantasy dark, original and well salted with realism, then Inkarna is definitely for you. I couldn’t recommend it enough.

Inkarna on Amazon
Nerine Dorman’ s website

Jul
31

Five Reasons You Should Read ‘The Final Empire’ by Brandon Sanderson

Writing this post has made me think a lot about how I started reading fantasy when I was about fourteen years old and in school. On one occasion our English class was given over to each of us picking a book out of a box from the library and ostensibly ‘reading’ it for that hour.

I don’t know what books my other classmates picked, or whether they actually read them, but the book that I pulled was Dragonflight by Anne McCaffrey. I picked it because I instantly loved the cover – it was blue, a much brighter colour than most of the other books in the box. It was also slightly battered and old (can you picture those old fantasy/sci-fi paperbacks?), and most importantly, it showed me dragons.

I’d read fantasy before then – and had it read to me by my parents, who brought me up on JRR Tolkien, CS Lewis, Alan Garner, Susan Cooper and Diana Wynne Jones – but Dragonflight marked a change in my reading habits. It was the book that began my serious love of the fantasy genre – and it also made me want to write fantasy for the first time.

It’s incredible to actually look back on all the changes that my life has gone through since then and realise that my reading and writing habits have not changed. These days, I still stop first in the fantasy/sci-fi section of any bookshop.

Chances are that if, like me, you read epic fantasy – or have a mum who loves epic fantasy (hi mum!) - then you’ll have heard of Brandon Sanderson. The late Robert Jordan’s wife asked him to finish writing the gargantuan Wheel of Time series (confession: I’ve not read it, myself), which he’s now close to completing. He must have some seriously great time management skills, because apart from that, he’s written, and continues to write, his own novels.

The Final Empire was my first exposure to his writing and, I have to say, I didn’t love it a lot at first. But then … something changed. I committed more time to it, the plot and characters began to reel me in, and I really did start to love it.

The short version of this post is that The Final Empire is a brilliant book. And here – below, in the long version – are five reasons why you should read it – and quite probably enjoy it.

1. Magic.

Sanderson writes magic really wellThe Final Empire has a complex magic system – Allomancy – which is shown to be both wondrous and straightforward, conforming to rules that make sense, pay attention to physics, and are consistently followed. The magic system also directly informs the plot of the book. It’s integral and important, and its rules lend it a credibility which makes the book very satisfying.

The other beautiful thing about the magical system is that because it’s so well thought out and clearly explained, you don’t spend ages scratching your head and thinking ‘how would that happen?’ This is not a magical system that allows for a ridiculous, overblown deus ex machina wrapping up of the plot. Instead, you are able to accept the mechanics of the magical system and then step back and enjoy the wonder of it.

2. Spirit.

This is a grand fantasy novel that sits comfortably in its genre. Dark Lord? Check. Main character from humble beginnings who discovers she possesses magical abilities? Check. Epic, all-humanity-at-stake plot? Check. In fantasy terms, it ticks all the boxes.

At its heart, this is a tale of good-vs-evil. Other fantasy sagas have ventured away from this genre tradition – examples that spring to mind are Joe Abercrombie’s First Law trilogy and George R R Martin’s A Song of Ice and Fire (still about good-vs-evil but in a much greyer, more roundabout way). But in The Final Empire this premise, rather than simplifying the plot, is used as an anchor point for the rest of the characters and situations to revolve around. Sanderson never lets us forget the evil that his characters are fighting against, but at the same time he deftly shows us the subtle, in between parts of his world and its characters, the bits that are a bit less epic and a bit more human. And you know what? This creates some of the best, most understated character and plot development that I’ve seen in an epic fantasy novel. It also gives the book real emotional depth, and I think that this balance between epic and human is what I was getting at when I wrote ‘Spirit’ up there.

3. Vin.

I didn’t like Vin, one of the the book’s main protagonists, when I read the first chapter from her point of view. I thought she was just going to be another lowly street urchin who discovers she has amazing powers and then magically saves the world. I was also worried that she’d be cynical and resentful throughout the novel, and that I wouldn’t be able to identify with her at all.

Boy, was I wrong. (And boy, was I judgemental or what when I first started reading this book?!)

Vin’s story arc through this book had me absolutely hooked. I found her likeable, interesting, realistic – and the best thing is that she really is a changed person by the time you reach the closing pages.

She also provides our window into Allomancy, which is great, because as she tests its boundaries and wonders what could be achieved by something so powerful, we test it too, through her eyes. We see Vin presented with this new knowledge about the way that the world works, and we get to explore it with her, experiencing both the science of it and the wonder as well.

4. The World.

This is not Middle-Earth, people. Sanderson’s world is a dark, depressing place.

The sun burns red, clouds of ash fill the sky, and plants are a uniform brown colour, the idea of rolling green countryside the stuff of legends. It’s pretty unique for a fantasy setting – a world that is genuinely alien and quite a terrible place to live. We aren’t just told that it’s bad – we read about it on every page. And yet, there’s that spirit throughout it. This is not a dark, dystopian novel. It’s an epic fantasy adventure brimming with hope and guts (not of the gory kind), and the good things like courage and love and the fight against evil are brought powerfully to life against this dark, grim backdrop.

5. Philosophy.

I can’t really say too much about this without spoiling the plot for those of you that haven’t read it, but this is my number five anyway. It’s really worth highlighting the way that Sanderson deals with religion and politics (and the way they intertwine) in The Final Empire. He plays with religious figures and the nature of religion in a way that really gets you to think. I felt uncomfortable a couple of times in this book during scenes that showed characters manipulating people’s beliefs for their own purposes, but on reflection I really liked the power in those scenes, and the way they affected both the plot and the characters involved.

So … what next?

If you’ve read The Final Empire, I’d love to know whether you agree with me or not. And if you haven’t read it, then I’ll just say again that it won me over. I loved it. I hope that you will too, if you decide to give it a try.

On a final note, as a writer it’s made me celebrate the genre I write in. I am a fantasy writer. Hell yeah, I AM a fantasy writer! And I don’t think there’s a benchmark in fantasy that we all have to try and live up to, because fantasy lives in the realm of endless possibility – the imagination, baby! But I DO think that books like The Final Empire can illuminate what’s possible in how you write fantasy – how solid it can feel, how believable it can be. It’s our job as fantasy writers to create and flesh out imaginary worlds, devise amazing magical systems and populate our worlds with the type of people that actors would trip over their own feet for the chance to play in a movie.

I’m gunning for Kit Harington, personally.

 

Jul
08

Weekend Writer 1.3: ‘The Sacrifice’, a Swordslave Prequel

“My name is Myrenne, and I have come because I need your help.”

This weekend’s ‘Weekend Writer’ challenge was one of those jaw-hits-the-floor AMAZING prompts that grabbed me by the throat as soon as I laid eyes on it. I knew I absolutely HAD to write something for it, but at the same time I felt quite daunted by the sheer perfection of it! Aisling, if you’re reading: those story prompt cards are GENIUS!!

I strongly suggest that you go and have a look at Aisling Weaver’s blog to get an idea of exactly what I mean, and maybe find a little inspiration for yourself. Weekend Writer is the only writing challenge I regularly take part in (well, semi-regularly!) because it’s different every week, is inspired by a prompt, and is hosted by the lovely Aisling herself.

So, this week’s prompt could have gone in all kinds of crazy directions, except it didn’t. As I explained to Squeaky earlier on today, it actually spoke to me very directly – with a spinoff idea based on my current novel WIP, Swordslave – an epic fantasy set in a world where demons are hunted and their Tainted, half human children are drugged and enslaved.

What came from this challenge is the following longish short story called ‘The Sacrifice’. It’s a dark, depressing tale that I didn’t expect to affect me as much as it did, but there you go – writing stories is a dangerous business, folks. It tells the tale of Myrenne and Helion, and one or two other characters who will be making fairly significant appearances in Swordslave – but that’s another story entirely. This one is set about fifteen or so years before the events of Swordslave. You might find some of the stuff in this story mildly NSFW and possibly traumatic – I know I felt quite raw after writing it. But well. I don’t honestly know how to judge these things.

Edited 11/07: I’ve had some great feedback from this story and have been incredibly touched by the people on and offline who’ve said they enjoyed it. I have also now edited the story a bit more thoroughly so if you’re interested in reading the more polished version, I’d be happy to e-mail it. :)

Edited 29/03/2013: The Sacrifice has now been taken down as I’m almost 100% positive I’m going to rewrite it at some point, and because it ties to events in my novel, some of which I’d rather keep under wraps. ;)

Thank you to everyone who has read this story and given me their thoughts, feedback, reactions and encouragement. The Sacrifice remains one of my favourite stories even if it is a bit of a rough gem!

Jun
17

#WeekendWriter 1.0 “The Reese Family Gathering”

I’m massively, massively happy that the lovely Aisling Weaver has resurrected the Weekend Writer challenge! The challenge goes out every Saturday, taking the form of a unique challenge to simply write to your heart’s content, whatever you feel inspired to write, using the weekly prompt for inspiration.

The Weekend Writer page on Aisling’s blog is here, and will explain the whole thing much more eloquently. Also, this week’s prompt post is here, and links together all the responses made by participants in the challenge!

The following short story is my response.

 

The Reese Family Gathering

So here’s the question I’ve been asking myself a lot lately. Can a broken thing ever really be mended? Or can you still see the hairline cracks when you hold up a magnifying glass against it?

And also: Are we broken, or are we just in the process of breaking?

By we, I mean Adrianne and me. My sister is younger than me but taller; more beautiful than me but also more vain; better dressed than me but much more insecure. I have been trying for so long to narrow these differences between us, in my head, and I’m not sure if it’s working. I still think of her and frown. I’m still angry.

“Diana,” my mother says while she’s chopping peppers, “when’s your sister arriving?”

It’s the evening of the Reese family’s bi-annual get together. Mum’s making a batch of chilli con carne – forget anything that might be said about feeding an army or the five thousand and substitute the image with a mass of people that is somehow bigger and more hungry – and dad’s outside trying to pull together a gazebo big enough to seat all of us.

My elder sister Rhiannon is sitting looking comfortable on one of the bar stools along the breakfast bar in the kitchen, lifting not a finger to help while mum fusses around her. She’s reading a book that looks like chick-lit fluff to me, and every so often she looks over to where her two five-year-olds are playing on the rug by the patio door. They’re good enough kids, although I’m not sure whether that fact is in any way connected with Rhiannon.

“I didn’t think she was coming,” I reply.

Mum stops chopping peppers. Rhiannon lowers the book to shoot me a look that’s meant to be dominated by her raised pencil eyebrows, but the accusation is spoiled by the indifference residing in the flat half smile and expressionless eyes.

“It’s the Reese family dinner,” she tells me. And I know this already.

You only came for the chance to show off, I want to say.

Mum looks upset. The knife is resting on the chopping board, her slack fingers barely gripping it.

“Mum, don’t worry. I’m sure she’ll turn up. I probably got my facts wrong.”

“Call her,” she tells me, looking directly into my eyes.

“But I’m not sure –”

“Did you speak to her? Did she say she wasn’t coming?”

“No, I was just guessing.”

“Then call her.” Her tone and gaze brook no argument.

I’m grateful to escape from the kitchen, but the hallway has its own hazards. I can see the first of the aunties arriving, making a clatter in the tiled porch while they take off their coats.

Aunt Lizzy spots me. “Diana, dear!”

She runs forward and enfolds me in her strong, fleshy arms covered up in the long sleeves of a velvet dress that may well be an antique. I smell Chanel No. 5 and feel the pearls around her neck pressing against my cheek. Aunt Lizzy is Adrianne’s favourite aunt, but her affection goes out to all her nieces without prejudice. Even Rhiannon in all her self-absorption will stop and really talk to aunt Lizzy.

“Where is Adrianne?” she asks me.

“I’m just going to give her a call,” I tell her. “She hasn’t shown up yet and to be honest I’m not sure –”

“Oh but she must come,” Lizzy says. “This is a Reese family gathering! Now, where’s your mother, I have a fine Chablis that I want her to try.”

“We’re having chilli, auntie. Mum has some Cabernet Sauvignon standing by.”

Aunt Lizzy shakes her head in mock disgust. “I hope it’s a good one. Oh, well, perhaps we can all have some as an aperitif instead.” She laughs loudly and shrilly and gives me a none-too-subtle wink.

I manage to grab the cordless phone and escape upstairs where the house is blessedly quiet. I can hear the ruckus going on downstairs but up here, I’m reminded that this is the house we all grew up in. Adrianne’s bedroom is the first one ahead of me. I gingerly push the door open and go inside, and sit on her bed.

It’s strange now that Adrianne has moved out and taken all her things with her. For years it seemed that she would never really leave this house. She would leave on some grand adventure, chasing all manner of seemingly unattainable dreams – fame in the United States, wealth in the big city, a second, better, less embarrassing family anywhere else but here. Then it would all fall apart and she’d come crawling back to the safety and security of the Reese family nest.

I bring myself up short. It’s not charitable to think like that. I run my thumb up and down the pads on the phone, wishing I could have just forgotten her number, unwilling to dial it and hear her voice and wait for the wash of memories and hurts to assault me again.

But I dial the number.

She answers the phone on the third ring. It sounds like she was waiting for someone else to call, because the “Hello?” of her answering the phone is bright and eager.

“It’s Diana.”

I can almost hear her mood sinking lower. “Hi.”

“I’m calling on mum’s behalf.” Just in case you thought I was calling for a chinwag. “It’s family night. She’s making chilli, and all the aunties are arriving. Lizzy asked after you.”

“Well, I’m busy.”

I take a deep breath. “Are you sure you can’t just come over for a little while?”

“Why did mum ask you to call me?”

“Because I was the one who said you probably wouldn’t come.”

“Do you want me to come?”

Another deep breath. I’m a long while before answering. “Yes,” I say, finally.

I don’t want us to break, Adrianne, I really don’t. I want to tell her how I’ve been trying to reconcile us in my mind, but the thought of her still makes me angry.

“Don’t expect anything from me,” she says. “I’ll come, but I’m coming to see mum and dad and aunt Lizzy. Not you or Rhiannon.”

The hostility in her voice is commonplace by now. It would take a lot for her to shock me. We all long ago learned how to arm ourselves against Adrianne.

How can I explain the rejection that I felt when, after months of supporting her – morally and financially – while she wrote her third novel, she published something that mirrored us back to ourselves like we were not her family, but the grotesque characters from a Brothers Grimm fairy tale?

I knew why she’d done it. To push us away, distance herself from such a large, female-oriented, dysfunctional and brash bunch of people. To hurt us.

“Fine,” I say in a clipped voice. “I’ll tell her you’re on your way.”

I stumble downstairs and put the phone back in its cradle, and then I lurch unsteadily into the bathroom. My head’s spinning and I feel nauseated.

There’s a copy of Adrianne’s book on the windowsill in amongst a few other novels and some comic books, and I allow myself a smirk of victory that her novel has already made its way into the bathroom to live out the rest of its days as a book to be read on the toilet.

I’m thinking uncharitable thoughts again.

I splash cold water on my face and take a few deep breaths, and finally return to the kitchen. The aunties have made their way outside, and through the open patio door I can hear Lizzy’s shrill laughter and dad’s amiable voice as he jokes with her.

Mum is standing in front of the stove stirring a huge Le Creuset where the chilli ingredients sizzle and steam, sending a warm, comforting aroma of spice and frying onions around the kitchen.

“She’s coming,” I tell mum. She doesn’t turn to face me, but her shoulders sag a little and I watch her set down her wooden spoon and swipe at her eyes with bunched fists. Like a little child, I think. She’s upset at our falling out, and she probably hurts too to know what Adrianne wrote about all of us. Perhaps she tells herself that the novel is about some other family with too many daughters and aunts.

But no. Mum’s not stupid. The hurt and happiness I can see in those sagged shoulders brings me up short. Mum has suffered not only from the words that Adrianne wrote, but also the words that we said to one another in anger and hatred. She has watched her family bend and nearly break, and she has wondered all this time whether we will be able to mend ourselves.

I put down my wine glass and take a hesitant step towards her, but Rhiannon is quicker. She closes her book and puts it down on the kitchen counter, then gets up and looks at me with eyes that are full of concern. I wonder if Rhiannon, too, has armoured herself against our angry, storm-tempered sister.

Without saying anything she goes to where mum stands and rests a hand tentatively on her shoulder. It’s not the warmest gesture of affection I’ve seen this evening, but from Rhiannon it means a lot.

“Diana,” she says, turning to me, and there’s the ghost of a real smile on her face. “Can you set an extra place at the table for Adie?”

Adie. Nobody’s called her by her pet name for so long. It hurts to hear it spoken, but it also makes me absurdly happy, for some reason.

I consider the question. Adrianne will be rude, spiteful and in all probability will hardly touch the chilli that mum has slaved over. She will drink too much wine and then demand a lift back to the train station from dad later on.

But this is the Reese family gathering. I think I can find room for one more.

Jun
13

Question Time in the Bakery

… or, How to Get More From Your Characters During Your Day Job

I talked in my previous post about the new direction that I’ve gone in recently, which has been largely inspired by the little dog-eared strays of used paper and torn or scrunched paper bags* that I’m surrounded by at work, and the tool they’ve become in my own creative process.

* Yes, this is a disclaimer of sorts! I do not steal armfuls of company resources. I just use the leftovers and unusable ones.

I’m going to go a little further in this post and talk about the why and the how. The more I thought about it, the more I became convinced that I’m not the only aspirant out there who is waking up to the possibility of being a writer while on the day job. If you’re reading this, I want to compare notes and talk about how it works! And if you’re like me and want to be a writer but work too many hours in the week to give much energy to your creativity, then maybe I can help?

I don’t know, I feel a little ridiculous presuming to dispense writerly advice on my blog, especially when it’s the kind of advice that really comes down to “make sure you have a serviceable piece of paper nearby, and a pen”, but I think that what I’ve figured out may be important for somebody out there. It may help, who knows?

So. Before I begin, I would just like to say that I DO NOT daydream on the job at the expense of my actual work. Nor, as I’ve mentioned, do I stuff armfuls of bags into my pockets and deplete the stock. Old sheets of used paper, torn and split paper bags are my medium of choice, and the thoughts I scribble are not essays – they are small memos to myself, a few words, a line or two and nothing more.

I get paid to do a job, and I do it. I am a diligent and hard worker, and if there comes a time when I have to really stop and figure out a problem or come up with a new method for doing something, then all my mental energy goes into that task.

The thing is that my job, most of the time, is not mentally taxing. For the last year or so I have been doing a job at work which, now that I’ve learned it inside and out, is very much task-oriented, repetitive and logical. This means that in some ways I go into autopilot while at work. Inevitably, my mind wanders and I start thinking about all kinds of stuff – dissecting the episode of True Blood that we watched last night, replaying scenes from Game of Thrones (the series) or A Game of Thrones (the book) in my head, or musing on some of the character arcs in the book I’m currently reading.

So while I’m working on a task, such as putting bread into bags or loading frozen bread onto baking trays, my mind is engaged in a ‘screen saver’ mode of sorts.

Yes, it’s boring at times.

Last year during NaNoWriMo my mind was so wired into the writing that the story would be ticking over even outside my writing hours. Even while I was at work. I’d find myself doing one of those tasks and suddenly, BOOM – instead of cranking out the map of Westeros and the stirring theme music, my brain would come up with an idea for my book.

I’d panic.

What do you do at work when you get a creative flash? Those moments of inspiration are like butterflies – brightly coloured, fascinating to watch, hypnotic in their movement – but wait too long and they vanish. I’d cast around for something to write them down on – and so began my love of paper bags.

After NaNoWriMo I dropped the writing for a while and bakery time was reduced to bagging up and shelving loaves and listening to the music and TV scenes and conversations circling round and round in my head.

Then I began the redraft, and suddenly it was happening again! I’d put a loaf in a bag, seal it up, then another one, my mind would wander – and BOOM. More flashes.

This time around, I’m not just pursuing it, I’m cultivating it.

I think this is an opportunity to double my personal productivity by doing my job to the best of my ability AT THE SAME TIME as exercising my mind and expanding its potential for creative thought.

If I limit myself to the belief that I can only work on my story while sitting at my desk, then I will simply not use every moment of writing that is available to me during the day. Instead I’ve come to believe that creative inspiration at improbable moments does not need to come in unpredictable flashes. I believe that creative endeavour in these moments can be deliberate, productive and immediately useful to one’s current project.

I tried this out with Question Time this morning. I’d had a late night and was feeling groggy, irritable, achy and grumpy. I was desperate to put my mind to work on something that would take it out of its torpor, so while putting the bread into bags – you may have guessed by now, but this is definitely the task that opens up the most creative opportunities for me – I posed myself a question.

The question was one that I’ll need an answer for while reworking the next chapter of Swordslave, my WIP.

Instantly the fog cleared and the sad old song that had been playing in my mind for an hour and lowering my mood went with it. While I stood in the bakery doing my task, the creative part of my brain went to work on the question. I kept a pen handy and wrote down the key thoughts that occurred.

By the time I’d finished the task (in the space of about half an hour) I had my answer, and the answers to two similar questions that had occurred naturally from the process.

This evening I’ll put the notes I made today into an extended form in a notebook, and I’m sure my thoughts will pick up where they left off and turn up more details to fill out my story and characters. It’s important that as writers we know our characters inside and out. Last night I filled four pages in my notebook with notes about my main character Fallon and her backstory.

Question Time is a deliberate exercise because I asked the question and initiated the creative process myself. It’s productive because I got answers to my questions. And it’s immediately useful to my current project because the question I asked was a pertinent one that needed answering.

I could just as easily have asked a question that was not particularly relevant, maybe even a little obscure. And who knows? Maybe I would have got nothing back. But maybe it would have sparked an idea which could have opened up a whole new arc for one of my characters. Or given me an idea for a short story.

If your job is straightforward and not mentally taxing, then I see no harm in pushing your creative mind while you work and getting it to work as well.

For the astrophysicists, accountants and neurosurgeons out there – maybe give this one a miss. ;)

Jun
11

New Study, New Draft, New Direction

Yes, it’s all about the new at the moment.

Wereboy and I bought a house back in March and, having lived here for just over two months, are enjoying life as homeowners very much, despite all the extra responsibility and stuff that goes along with it. It’s amazing walking around thinking “this is our house!”, or being able to paint the rooms and plant things in the garden and do housey stuff like look for cheap furniture.

The Study

One of the huuuuge benefits of buying our own house is that we have tons of space now. Enough space for me to have my own study! I recently painted it and put up enough shelving to house all of my books. This is quite a big thing for me. There has NEVER been enough space for all my books in any of the houses or flats I’ve lived in.

I painted my study green, which is a good colour for me – calming and inspiring – and set up my desk so I can look out of the window and daydream whenever I like – seriously, it’s like my school-age self’s dream come true!

The Draft

I’ve been doing a lot of writing in my new study, and am currently working on a second draft of Swordslave, my NaNo novel from last year. I went through the doldrums on this one for a LONG time but after lots of encouragement, tea and writerly wisdom from my sister (@gull_girl on Twitter), Squeaky and Wereboy (<3) I decided that it really didn’t deserve to rot on my hard drive after all.

I’m not very far into the redrafting process yet, but I was never expecting to whizz through it in the first place. I am treating my NaNo version of Swordslave as something of a long-winded threadbare synopsis, which doesn’t flatter it very much, but is an accurate description nonetheless. Therefore I am not so much redrafting as rewriting in places. Most of it will be new, in fact, but the first draft is helping me keep my eye on the target and gives me a much better sense of the arc of my story and where I went wrong before. It’s very much the foundation for this new draft (thanks for that metaphor, Squeaky! ;) ).

The New Direction

I find paper bags very reassuring. At work I am pretty much surrounded by them, since my main job is baking the bread every morning. Last November during NaNoWriMo I would be putting bread into paper bags and my mind would wander and suddenly I’d have something that I wanted to put in my story – so I’d scribble it on the back of a paper bag and shove it in my pocket. When I got home I could take it out and carry on thinking about it if I wanted to, or just bung it straight into my story at the right place.

Hence the new name of my site, Paperbag Writer. I’ve fiddled around with the settings and graphics on my site and the result, I think, really reflects where I am right now and what I’m doing.

I’m happy. :)

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